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Elizabeth Harper, a former drama major from Los Angeles, had been writing delicate, wistful songs of longing and detachment for several years when she met musician & psychoanalyst-in-training Mark Richardson in 2009 and asked him to remix one of her tracks. Their creative chemistry was instantaneous – Mark’s production style was cerebral but sensual, relying heavily on vintage synths and drum machines, and influenced by ‘80s bands like Human League and Depeche Mode while still conscious of modern club sounds steeped in hip hop and house. It perfectly complemented the melancholy undertone in Harper’s songs and revealed in them an urge towards ecstatic abandon.
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